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New Album Release; Sin Bun Run

18/01/2024 - New Album; Sin Bun Run

Other than making music I like to make games especially retro-like games the older the better but I like current games as well and made a few now. This is the music from the retro platform game I made called Sin Bun Run and was inspired by a mascot I saw whilst on holiday in Cornwall but it looked evil and a bit sinister which later gave me a good character for a game. The game has seven levels and they are all hard and pretty long it was actually a nightmare to finish the level both playing and making but each level is a new world or scene. I made all the stuff in the game apart from the backgrounds and I opted to find free backgrounds that would be better than what I had in mind which was a real-life picture but it wouldn’t have gone with the retro theme I had in mind and was making.  It’s quite a long album with thirty-six tracks that had six tracks on each level as I thought it would be annoying if you heard the same three tracks over so I went for six which I thought was a good number in the end and the best players won’t even get to the sixth track hopefully. I wasn’t going  to release the album as a major release and I was going to keep it unreleased but since I got my other name which is this name Game For Experimentation I thought it be perfect to have it on all the major platforms under that name. I should point out the mascot I saw on holiday was a pink rabbit and actually, it was a female rabbit. I didn’t see the gender of it at first until I read it on the Park Dean website which is the holiday camp I stayed at and saw the mascot to. All the music on this album are from my gaming synths and specialize in making Chiptune and 8 Bit music which reminds me the 8 Bit version of this album can be found on my paid Bandcamp page where I changed the settings to get the 8-Bit feel. This version on all the major platforms is 24 Bit and had to be, to be released or I would have released it as an 8 Bit album to get the proper feel of it but feel free to change it to taste. All you need is the free software Audacity to change  Bit or go to my paid Bandcamp page where it’s up and the only place to get the 8 Bit version.  I don’t have a favourite on the album I like them all and think they are all different feels. I tried to fit the feel of the level, for example, cave music or woodland music but all in Chiptune and 8 Bit music form. I also tried to think back to what old school Chiptune and 8 Bit music sounded like and tried to match it a little with all the drums and synths patterns I made using a drum sequencer and my keyboard to play the melodies. If you want to try the game Sin Bun Run it can be found in the Arcade section of this site under Gaming Lounge or the link which I’ll leave at the bottom of this page if you feel like killing a few hours and jumping around franticly you might enjoy it.

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New Album Release; The Gaming Soundtrack I

5/01/2024 - New Album; The Gaming Soundtrack I

When I’m not making music I like to make stuff from my computer and put on the internet and making games is one of them. I love to design and is something I specialize in though I used to be better at coding in the 2000s when coding was easier and less things to remember but I lost my way so I look for non coding software and online apps like Construct 3 which is what I build the games with. I say build I also like to get templates of games and do all the designing myself like the sprites which is the main characters, enemies, weapons and devices and contraptions, the buttons, the backgrounds everything you see in the games basically it all gets changed and made by me. I made a few games now around under 20 and vary from space shooters, Pacman, a memory game, a Christmas poker game, Gin Rummy the card game, Solitaire the card game,  Ping Pong the retro version, a zombie shooting game, Tetris which is in weed form, A Halloween version of Candy Crush, a trading card game, and a space invaders game. They all can be found in the Gaming Lounge section on this site in the main menu under Arcade they are all there and ready to play if you want something to do. They are mostly old styled games which I enjoy making more but I did enjoy putting Hallow Crush together which is a Candy Crush alternative game but same rules and principals  and a new style game compared to say Pac Man but I could be wrong.  Now I think about it Candy Crush is similar to the game Bubble where you shoot bubbles in the right space to match the colours and stop the balls from overlapping the top. I used to love that game and is why I was hooked to that witch bubble game on Facebook last decade now when it was very popular, I advanced pretty far with the rebound trick I used to do for those difficult positions. Making games for my website and other platforms meant making music to go with it as games equals music so I made tracks for each game sometime more than one track per game but I didn’t put everything on the album just the ones that were A, long enough and wasn’t just a 30-second loop and B, the actual songs not just background noise to help concertation or get in the game. As the games are diverse and vary, so are the tracks on this album which are both Cinematic and Chiptune tracks combined on one album and are electronic, Hip Hop, and other genres which I made based on the game I was making at the time. I like to make retro games and music and I have a couple of synths that make gaming genres like my 8 Bit synth plugin and another one I can’t remember the names of them but they are good though and tend to make good old-fashioned gaming music. I used it in a few tracks on this album and is on Wolkman (Main Theme), Astro Dog (Main Theme), Inferior, and Robot Invaders. Those are the older retro songs from the retro games I made and the rest is cinematic or upbeat Hip Hop like on Weedtris (Alternative Version) where I used Hip Hop drum kits to make it sound more like Hip Hop. I like all the tracks on this album but my overall favorites are Solitude, Weedtris (Alternative Version), The Christmas Trade, Astro Dog, Inferior, North Pole, Wolkman (Main Theme), North Pole, Pong,  Betting On It, Hallow Crush and the last track Toyz Alive.

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IT'S CHRISTMAS AGAIN

New Album Release; Synthscape – It’s Christmas Again

5/01/2024 - New Album; Synthscape - It's Christmas Again

The last synthscape for now and it was made near Christmas on the 21st of December 2023 to be exact. It’s been a while since I made a synthscape and I made it the same way I made the others through a mangled mix which was a Christmas mix I made from my own music I made in the past and as always lots of drums and synth sounds in a melodic and space boy fashion lol. It was going to be a Krampus special but I thought I’d make some alternative Christmas music that didn’t scream Christmas even though it does have some dashes of Christmas in but has the mangled effect on it which doesn’t make it seem that Christmasy. As always I used my trusted AKIA keyboard to play the sounds and the same hard-hitting drum kits to make it stand out more so you can hear the drum pattern over the synths and background noise. Also like the other Synthscapes, it has Hip Hop drum patterns over the synths and background noise. I think Hip Hop drum patterns are diverse and can be used for other genres and it would sound new and nothing like Hip Hop at all. I love my Hip Hop and at one point was all that I played from Kriss1, Mos Def, Notorious B.I.G, Tupac, Busta Rhymes, and all the females that passed through and also underground Hip Hop which at one point I was obsessed with. It actually inspired me to up my drum skills by adapting underground Hip Hop drum patterns with mostly synths stuff which I think works well and you get a synthy urban feel to the tracks. Even though there is a lot of synth sounds on the album I would still class it as Experimental music as, as always it was one big experiment to see what I could make out of the mangled mix and all the plugins and drum kits I have which are one shots (one hit sounds) that is now a main feature of the series and enjoy mangling one of my mixes I made from my music and see what I can mold around it. I called it It’s Christmas Again as how quickly time goes probably by the end of me typing this up we will be welcoming the New Year in and it will be 2025. Okay not really but it does fly by and the seasons change quickly I think the earth is spinning faster or something or as an adult it seems like it’s spinning faster. As always I say for the best listening experience please listen to it once through from start to end that way you can get the full view of the album or Synthscape which was an hour-long file and I cut it into sections and gave them names. It would have been an hour-long uninterrupted mix down but you can’t upload large file sizes or have long length mix downs so I cut it up and gave them names to get it out there or it would still be on Bandcamp as an hour-long mix-down which I think isn’t good enough but a start for anyone who is on there and willing to pay for their music and for something different. As always I have no favorite tracks on this Synthscape as I like it as a whole but I will say some bits are more interesting than some other bits and took a lot of work to make but is always fun. This one is a bit longer than the others and has more tracks as most of them are pretty short compared to what length I usually go for maybe 6 to 9 minutes anything after 10 minutes is long to me and not made for everyone’s cup of tea in the length front but I make longer tracks all the same. Some are shorter as I ran out of inspiration quickly for that part so I moved it on to the next bit which brings fresh ideas and new everything some of the drum kits and patterns are reused a few times but not too many times, I have done that on all the Synthscapes so far. It’s so I don’t get confused on new and old drums and to keep the CPU down even though by the end of it it’s through the roof due to too many open synth plugins but you can add enough to make an hour-long Synthscape or Soundscape without it glitching, shutting down or freezing on you and I’m using a Desktop version instead of a laptop which does make it better. There was a slight boo-boo on the album the track Blimey Are You Deaf (Hard Of Hearing) came out too distorted and a bit aggressive and loud and there was no way of removing it but I liked it in a way so I left it on there and let you decide if you liked it or not. 

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NO SUPRESSION

New Album Release; Synthscape – No Suppression

5/01/2024 - New Album; Synthscape - No Suppression

Another synthscape is a combination of background noise from a mix I mangled using Audicity and lots of synthesizer sounds and drums. This is the second synthscape I made and was an hour-long file but I had to cut them down to single tracks and title them all which was the fun but hard bit. It is best if you play this album from the start to end to get the full view of it and is me messing about and experimenting with synth sounds and drums with the mangled mix. I used my trusted AKIA keyboard to play the notes and all the drum kits I could find from genres like Hip Hop and House music for those fat kicks and rattle hi-hats and hats. I did the drums manually as I haven’t got a committed device but I saw the AKIA being used as a drum machine so it is possible. Anyway, it is easier to put them in unless you have something to go by like something in your head you can tap out. Like the last one, I used all the synths under the sun including the same collections the V Collection by Artuia and the Korg Collection by Korg. They are my favourite and I tend to use a lot of the two as there are lots of synths to choose from and also lots of sounds in each synth plugin which is hit and miss but they are real synth sounds and modelled on old original synthesizer hardware. Like, for example, the Arturia stuff is modelled on synths like the Moog, the Prophet, and the DX7 all the old hardware from the 70s and up, and covers all the classic synthesizers and keyboards of the time, mostly the 70s and 80s. The Korg Collection has all the favourite synths and keyboards like the M1 which is the most famous and used in rave categories like House, Jungle/Drum and Bass, Techno, and other rave genres. But also it has some genuine synth sounds made for genres like Synthwave, Vapourwave, and synth music in general but so does the V Collection to be honest which is why I use them both quite a lot and can’t live without them or should I say play without them, at least one of the two. I haven’t got a favourite bit as I like each track as again I think they all sound unique and different from the last one but I do like the darker tracks on this one like the one with the bongos which I do use quite a lot in these synth-scapes as I think it makes it sound even better or at least sounding good even though they are a bit of a trip to put together and take a whole day, a day and a bit with the YouTube video versions which can be found on my other YouTube channel Game For Experimentation. But even though it takes a while I still enjoy making them and also making the visuals to accompany the music. I love to play the keyboard and freestyle which is what I do a lot in all the music I make but playing the keyboard and seeing what you come up with is always fun and stops me from getting bored. The only trouble is you have to be in the mood or you won’t enjoy it and the knock-on effect of that is the music not coming out as hoped or to your listener’s satisfaction or even your own which counts more I think like I put music I like and hope people will like as well.

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MELODIC DISTORTION

New Album Release; Synthscape – Melodic Distortion

5/01/2024 - New Album; Synthscape - Melodic Distortion

Something a little different and partly why I started another artist name to release this album and also release something different from the normal three genres I tend to make a lot of House, Jungle/Drum and Bass, and synthy stuff under my other artist name Gas No Light. It’s a synthscape basically and crossed between a mix that came out mangled when I first had the idea and lots of drums and synths and is like a soundscape but with synthesizers and noise in the background which is the mangled mix I put in Audacity and mangled it up for this weird sound FX. The album is best played from the beginning to end for a full view of the synthscape and was an hour-long file which I had to cut up and give  titles for as you couldn’t upload an hour-long file and was too big for size so I cut it up to sections and gave them titles which was the hardest bit. There is YouTube video versions too which I made a running theme to the video and made a visual something quick and simple that can be found on my other YouTube channel Game For Experimentation. Also, there is a making of this one Melodic Distortion which is in parts and quite long videos one or two are over two hours long but it does take some time to make an hour-long synthscape as there are lots of songs that go in and out the background noise. I used all the best synth sounds I found in my DAW and made it sound interesting I think and not something that is made a lot though people do make them but all in different ways and hopefully, this is different. I played the keyboard with my trusted AKIA keyboard over the background noise and I did the drums manually using all the drums I could find but I did use all the beefy ones even the ones from the House section which I never use unless it’s House music. The album is one whole experiment with sound and synths with drums and something I will make more of in the future but not too many at the same time as I’m trying not to make too many of them and keep it rare also it does take a lot of time and strength especially the last half hour of the tape, I say tape but I mean I make them an hour long and I only did half hour it does get like when is it the end already. All the synths used are from my collection of synthesizer plugins and are mostly from the Arturia V Collection and The Korg Collection all rent to own on Splice.com my go-to for rent-to-own VST plugins and samples I use them quite a lot and I think they have a good range of plugins and samples. The best thing about the VST plugins is they are rent to own which means you pay anything under £25 depending on the manufacturer and you pay off the VST and own it for life after you pay the installments. You can cancel and resubscribe whenever you like which is good for me as not every month have I got the money and I spare the pennies by unsubscribing for a month or two on a VST plugin that I know I not using or haven’t used for a while. I like all the tracks on this album and think they all sound different and interesting with dark and light songs with Hip Hop-like drum patterns as I felt they worked best also 4/4 kick beat and is a staple in House music but also music in general.  

 
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New Album Release; Baby Bots Labs Vol. 1

5/01/2024 - New Album Baby Bots Labs Vol. 1

An experimental album of stuff I made with my Baby Bot 3000 which is a unique baby doll that generates synth sounds from a built-in oscillator which is the thing that generates the sounds. It has knobs around the top of the head which groom the sounds for example it has a low and high pass filter that cuts out certain frequencies depending on if you use the high pass or low pass side. The high pass keeps all the high frequencies and is more high pitched and at times piercing and the low pass filter is used to keep all the low end and is how basses are made from oscilator sounds which like the doll are noisy and just harsh sounds. This is why you use hardware filters to further smooth the sounds out and is what I used a lot on this album or it would have just been noise. The doll also generates rhythm which I found got some cool rhythms and sounds from like on the track In The Vapours which is funny enough one of my favorites on the album as I like the quirkiness of it. I got the doll from the online shop Etsy and fell in love with it with just the sight alone but when I read the description I fell in love with it even more and thought I must have it and how it would come into some use. I’ve already made lots of songs from it and also made a VST plugin with the sounds generated using filters and FXS like reverb and delay the VST plugin can be found on my other website gasnolight.co.uk under VST plugins or it can be found under the blog section too. I must admit it is a bit of a trip to set it up and get it working sometimes it takes more than an hour sometimes two and then there is the plug to it you need a special plug to fit in the charger and I have lots of leads and struggle to find the right one but I do enjoy it when I have it on and also making music with it. I fell in love with the Baby 3000 as they are custom-made and also the eyes glow up in the dark and the lights move with the sounds and rhythms which I thought was pretty cool. Not to mention it looks cool but kind of creepy with the knobs sticking out the top of the head it adds color and funk to the doll but it’s unique enough with the oscillator built into the doll. All the sounds came from the doll and I recorded the sounds with the Tascam recorder. The sound was coming out of my stereo for the first bit then I had one long noisy file which I put into FL Studio my DAW and began molding the sounds into something a bit more palatable as believe me it would have been a messy and unapproachable album and that’s not good. My favorites on the album are Fatal Showdowns, In The Vapours, Rays Of Sun, Wait To Burn – Balance,  New Dawn, Up Late, Past Is There, Wild Cats, It Means Nothing, and my overall favorite with Wild Cats, Old Skool Time so the whole album basically as it’s something different and synthy which I said on my other site gasnolight.co.uk many times and over the internet I’m obsessed with synthesizers.

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New Album Release; A Lil Experimentation Vol. 3

5/01/2024 - New Album Release; A Lil Experimentation Vol. 3

Another album of mixed bag of experimentation music and unreleased experimental synthy and rave stuff. It has a lot of earth songs on there too which turn out to be experimental so I added them on there too. This is the last album for the unreleased experimental stuff for now as I added all the songs I made over time, after 2020, and made albums out of them. There’s not a lot left to cover on this album I already explained how I make music for the Earth and how that worked in vol. 2 in the last post but there are more songs for the Earth on this album. For a quick recap, the earth runs on frequencies, and tuning in the right frequency or hertz can have a positive outcome for the earth like making it rain in a droughted area or healing the earth by easing tension it all started with tribes and their banging on the drum to make it rain. My favorites on the album are The Nights Drawn In my salsa-like earth song which was a tryout but I like the firey side to it and the found sounds I put in which were cocktail sticks in their container. Earth Care which is an earth song and contains certain pitches and frequencies like a hit on glass with a metal spoon, more horse neighs which I’ve been told you have to have on horse neigh on the earth song even though it’s not good for the frequencies, and stops it from humming if there is too much neighing but a little bit does the earth well and is how it connects. It sounds bonkers but going back to the earth runs on frequencies and certain animals and things can produce the same frequency or accompany the hum it’s not too hard to understand. I should also say the hum chant with the drums is the real reason why the tribes make it rain and is the matching of frequencies it’s the same with the didjeridoo that has the same frequencies to build a storm and they say too much can disturb the earth’s core and has dire consequences. My other favourites on the album are Some People a Drum and Bass experimental track, The Liberal Llmma which is my experimental Reggaeton track that has a Llmma on the track. Bags is another favorite on the album and is a more experimental Hip Hop track I made before 2020 but I liked it enough to put it on the album. It has some of my voice on from a sample pack I made quite a while ago but they were all alibis and shouts and when making I thought it went with the track when experimenting. Watch is my experimental gaming music track I made sometime in 2021 amid the COVID-19 virus and the lockdown.  Climate which is another Earth song and has my old phone intercom built in my flat which has now been replaced and some other things on there to balance it out like the hit on glass or I think it was crystal glasses a common tool used to heal people and the world but I believe it’s more for tension purposes for people. The main bit of the track what I call the chorus is from an old opera song and is also another way to make it rain or do something to the earth when sung. Leo Cast is another favourite on the album and is more experimental Hip Hop it’s part of the earth songs I made and I like it because it’s different and not the usual stuff I make though I make Hip Hop now and then but not for a while. The last track on the album Boiling is another favorite and is not something I tend to listen to by choice but I liked it and was from my Baby Bot 3000 a unique synth doll that generates synth noises from the built-in oscillator and I used filters to smooth it out.

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New Album Release; A Lil Experimentation Vol. 2

5/01/2024 - New Album Release; A Lil Experimentation Vol. 2

Another mixed bag of experimental music and unreleased stuff all made quite a while ago when I got bored and started to experiment with sound and music which is my favorite thing to do when making music or at least one of them. I would say I have been experimenting with music for some time and started with cassette tapes making loops from them and to see what you could do with a cassette tape. One thing I discovered is that you can back mask with a cassette tape and is something I did a little bit. To be honest, I can’t remember all the things I discovered but I knew as a kid it blew my mind and left me wanting to experiment with the tape a bit more and I did. It’s one of my favorite ways to experiment and used to start with some sort of tape ritual even though most of the time more than not I wished I didn’t use the tape as the sounds sometimes come worn and like it’s under water which isn’t good for quality wise. I find a lot of tape saturation which can be found on a cassette tape works well for eerie and experimental music and when I can be bothered to get the cassette tape out which is partly broken which is why I don’t use it so much but when I do I make some good sounding tracks and has interesting wobbles and stuff on it which would be bad for a normal use of a tape player. Another favorite way of making experimental music is going to the charity shop and buying toys and things that tend to make noise and experimenting with the sounds I selected. That’s fun and I could be there for hours experimenting and using hardware filters and FXS like delay and reverb those are the top two I use. As I said before I made the songs quite a while ago back in 2020 and onwards and was just me messing about one day being bored and thinking I can experiment with music again as it keeps me entertained for a while. All the songs from the A Lil Experimentation series weren’t going to be released but as I was making a new and another artist name for my experimentation stuff and also game music I thought it would be perfect to add them all and hopefully get them heard as I thought they were good enough for people to stream and buy. My favorite on the album is Time Slip a song I made whilst live on YouTube, Rabbit Hole is a dark and sort of glitchy track that I made in the past but have rediscovered but I’m sure it sounds different from the original, sound quality for one. I was making music for the Earth and is all about the frequencies blown out of the speakers. I was told that in the future this was in the 2000s speakers would blow out the right frequencies enough to make it rain spontaneously for example and start with the tribes banging on drums to make it rain. The rain dance is a classic example of a popular dance with drums that can make it rain and is due to the frequencies from banging on the drum. The panting of my dog on the track Rabbit Hole is what makes the earth think or do something that I can’t remember but panting from dogs is good for the earth. The other Earth song and favorite on the album is Dougie, it’s another old track I recreated and is jazzy I think, and has the strings to calm the earth down or there would be some sort of explosion lol. I should explain even further by saying the earth runs on a hum which is a frequency or hertz if you can accompany the frequency you could make it rain for example or even heal the earth a little bit by easing tension. The classic example of easing tension is a thunder-like rumble in the sky which is loud but muffled but is distinctly heard but the effects do vary around the world depending on how far you are close to the center of the earth IE the core. My other favorites on the album are Scratch Card a found sound experimental drum and bass track, Vito a synthy experimental track  Harvest The Day, and Clear Out the last two are more melodic experimental and were something I just put together. 

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